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sophia bartleet writing history skip to content home about sophia lacuna posted on march 16, 2011 by admin i’ve been reading barbara kingsolver’s ‘lacuna’ and admiring her skill as a historical writer. i was very enthusiastic about her last book ‘the poisonwood bible’ but it lost it’s way towards the end. this is a much more tightly drawn object but it’s taken me ages to get round to reading it. i bought it last year when it won the orange prize and it’s been sitting unopened on my shelves ever since. too many people said how fantastic it was and i have a slightly stupid, contrary streak that shies away from things that are over praised. my reading group picked it so i was forced to open it up and i’m glad i did. it is the very best kind of historical writing. the protagonist is a plaster mixer and chef for the mexican artists diego rivera and frida kahlo. they invite trotsky to hide in mexico and he becomes trotsky’s secretary. after trotsky’s murder he moves to america and struggles through the madnesses of the mccarthy era. kingsolver does three things very well; she domesticates history and makes famous historical characters feel homely and human in a convincing way. diego rivera likes sweet pastries – which somehow once she shows it to you is very obvious. trotsky puts on an old jumper and mucks out the rabbit hutches which also feels absolutely right. it’s not that kingsolver demeans her characters, far from it – they are astoundingly brave people and she shows that. instead she puts blood into the myths and turns them back into people. despite all this domesticity her writing vibrates with poetry. it’s a very light fingered poetry with choruses of recurring images and themes like the lacuna (a kind of tunnel) of the title. she manages to evoke the americaness of america and the mexicaness of mexico without jingoism or great indigestible clouts of description and theory. the last thing she does which is so very clever is to keep her readers constantly on the hop. ’lacuna’ is one of those books where you can’t see how it all works until you’ve read the very last word. the narrative is broken up into notebooks, diaries, newspaper clippings and letters. there are two narrators and a lot of to-ing and fro-ing between the two countries. i’ve a prejudice against fractured narratives. it’s a trick often used by writers to hide the fact they don’t have enough to say. not in the case of ‘lacuna’, here it underlines the meanings and themes of the book, the connections that people can make between alien cultures, the impact of history on our lives, the crazy frenzy of newspapers when they pick up a story and the loneliness of celebrity. it’s an admirable feat and i take my hat off to her. http://www.amazon.co.uk/s/ref=nb_sb_ss_i_2_28?url=search-alias%3dstripbooks&field-keywords=lacuna+by+barbara+kingsolver&sprefix=lacuna+by+barbara+kingsolver posted in uncategorized | leave a comment rock & roll, rhythm and rut posted on march 2, 2011 by admin i haven’t written a piece for a long time because i’ve got out of the rhythm. there are a lot of links between music and writing and one of the strongest is a sense of rhythm. rhythm of working and rhythm of reading. writing and music are temporal arts, they use time as one of their tools and time needs a beat. to make that tension, to make that roll, you’ve got to have a routine to work to. when it breaks and you lose the rhythm all that’s left is a scary, shiny white silence and nothing comes out at all. there’s a myth out there that writers, artists and musicians are crazy, mad people who have wild parties and stay up all night with a whiskey bottle at their elbow. many of them do let loose a little when they’ve escaped the harness and they’re not working but that’s when they’re off duty. writing (which is the one i know about) demands discipline. you can’t write a novel without a real rhythm of sober work. you’ve got to get into the rut and stay there day after day after day until you’ve written 80,000, 100,000, 130,000 words. and when that’s all done you’ve got to work out what’s wrong, build up your characters, fill in your research and write the whole damm thing again for your second draft, and again for your third and your fourth. you have to hold the complete tune in your head. you have to build the arc of your story in time sentence by sentence, month after month. and you can’t get away with just making it shorter. it doesn’t work like that. the shorter the work the tighter the rhythm. it’s one of the reasons i can’t write poetry, i haven’t got enough beat in me. lately, for me there’s been too much stuff getting in the way; in my head and in my life, and my story has broken up into discordant parts and random phrases but i’ve done too much to let it lie. i know i need to work at it hard and sit down every day until the whole thing begins to sing together and i get the rhythm again. posted in uncategorized | leave a comment i am involved in mankinde posted on february 3, 2011 by admin i’ve just finished reading john stubbs’ excellent biography of john donne ‘a reformed soul’ http://www.amazon.co.uk/donne-reformed-soul-john-stubbs/dp/0141017171/ref=sr_1_3?s=books&ie=utf8&qid=1296751730&sr=1-3 . donne lived a couple of centuries after my period but stubbs is so good at portraying london in what ackroyd calls its ‘raddled and ribald glamour’ i thought it was worth reading anyway. donne, who was born in bread street in the city and died in the deanery of st paul’s, was a total londoner and what came through to me very strongly was how much the conditions of london life affected his poetry and philosophy. his most famous piece of writing centers around the church bells for which london was famous. “who bends not his eare to any bell” but it has more meaning when we learn that it was written by a very ill man in a dense, crowded and filthy city that yearly suffered from the ravages of plague. and that it was also written when james i’s reign had joined scotland to england just as the country was coming to terms with its wrenching split from europe and roman catholicism. “no man is an iland, intire of it selfe: every man is a peece of the continent, a part of the maine; if a clod be washed away by the sea, europe is the lesse, as well as if a promontorie were, as well as if a mannor of thy friends or of thine owne were; any mans death diminishes me, because i am involved in mankinde; and therefore never send to know for whom the bell tolls; it tolls for thee.” it is a shining human vision growing straight from donne’s life and the conditions and politics of the time and yet it still teaches us about kindness and connectedness. nearly four centuries later when a bell’s tolls have been replaced by twitter and the internet we can learn of a man’s death in cairo before his mother does but we are still diminished by that death because we are ‘involved in mankinde’. posted in uncategorized | leave a comment near and far posted on january 24, 2011 by admin one summer after i’d left school, i was out of cash and desperate for a job. i trudged up stairs to temp agencies where disdainful pink shiny girls in white polyester shirts gave me typing tests and told me to ring back later because they didn’t have anything suitable on their books at the moment. on a hot dusty day in june i took the tube to the king’s road in london and visited every single shop up and down the street asking if they had any vacancies. it was hell but i wouldn’t let myself stop until i’d done the whole road. the speech i gave to each shop keeper and bored assistant blurred into one long word and i so expected to be rejected that i very soon turned away before the response even came. afterwards i sat on the bus clutching a sweaty fistful of application forms feeling drained, deadened and very disheartened. this is all coming back to me because my protagonist is searching for a job. it’s the fourteenth century so he doesn’t ha

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Error for "bartleet.org.uk".

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  REFERRER http://www.nominet.org.uk

  REGISTRAR Nominet UK

SERVERS

  SERVER uk.whois-servers.net

  ARGS bartleet.org.uk

  PORT 43

  TYPE domain

DISCLAIMER
This WHOIS information is provided for free by Nominet UK the central registry
for .uk domain names. This information and the .uk WHOIS are:
Copyright Nominet UK 1996 - 2017.
You may not access the .uk WHOIS or use any data from it except as permitted
by the terms of use available in full at http://www.nominet.uk/whoisterms,
which includes restrictions on: (A) use of the data for advertising, or its
repackaging, recompilation, redistribution or reuse (B) obscuring, removing
or hiding any or all of this notice and (C) exceeding query rate or volume
limits. The data is provided on an 'as-is' basis and may lag behind the
register. Access may be withdrawn or restricted at any time.

  REGISTERED no

DOMAIN

  NAME bartleet.org.uk

NSERVER

  NS.MAINNAMESERVER.COM 79.170.40.2

  NS2.MAINNAMESERVER.COM 79.170.43.3

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